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Mrs. Wopp obligingly gave as an encore, “There were ninety and nine,” apropos of nothing whatever. Then turning to a portrait on the wall, she enlarged on the musical ability of a great-uncle from whom she reckoned she had received her gift of song. “No; but I stop here sometimes. Are you afraid of ghosts?” Mr. Wopp looked up in approval and brandished a formidable looking piece of fat meat, precariously poised on one prong of his fork and in his efforts to lose none of its dripping flavor, described an uncertain spiral in the air..

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Billy slipped quickly to cover again where he could watch unseen. The men’s faces were black with passion, and their low, intense words seemed all the more deadly because strange, foreign. A coat split down the back with a ripping report, and the boy saw the flash of a knife, and turned away feeling sick. “Are you hungry, Isobel?” questioned her mother. Bess arrived at last. A gorgeous affair was her chariot, the foundation being Mr. Prettyman’s spring wagon. Bess, with some borrowings, Charley’s help, and her own quick invention, had made a very good imitation of a circus wagon. Charley, the Strong Man, held the reins over old Dom Pedro, the horse she loved, that had once been a racer. She had discovered some very real looking, jointed snakes that wriggled and curved in a manner startlingly serpentine; while tremendous boa constrictors, cut from old circus posters, were disposed about the cage in alarmingly lifelike positions. Betty Wopp was gambolling along the road with other little school-girls and heard the jeers addressed to the wretched boy. The penetrating sense of Moses’ need of her brought her to a halt. Indignation made her tight little braids of hair assume an aspect as terrific as Medusa’s snaky coils. She ran lightly up to Moses and walked beside him..